All Poems © 1994-2005



Email me at rijj@verizon.net for permission to reprint these poems.



Table of Contents:






The Sweet Sound of Cracking Nuts

The Art of Being Politically Correct

New, Longer Hours

The Bystander

I Heard Bukowski Died Today

I Want to Write Like Pablo Neruda


I Did It

The Verdict

The Beginning

Time, the Hero


Failure, Death and Necessity

Away

Squirrels, Sailing and Five Notes

Veterans

You Know It's Love

Overtaken

Before Existence

Radiant Heat

Come Back to the Breath

Why is the Universe Smiling?

Picnic On Mars

Encounter at Ground Zero

Come Eden, Slowly

We Will Wait

Interim

How a Family Relates to Death

The Little Man Who Thought He Was God

Make Me Laugh

Sarajevo, 1914

The Shore of My Name

Leave Us In Darkness

Not to Speak So Kindly

Perception

Death of a Flapper


Morocco:  1926






The Sweet Sound of Cracking Nuts


 

Woe to you, great white whale,

slave of academe!

Were you but Melville's anchor

in a sea of frightened sperm,

or but Christ and Christmas

gaily wrapped beneath a barren tree

in April? What has escaped

your clutches to become studied matter,

laboriously hacked into hackneyed theses?

Once I sat beneath the chestnut tree

and did not envy the village smithy.

I saw the damage wrought on natural things,

and picked the blossoms and the nuts.

Ah, to smell sweet New England blossoms!

Herman, what Protestant longings

hold you captive! I sit here

like a restless ocean, swaying

to the sound of the great whale's breath

I hear so distant from this plank road

and its dusty habits and crack each nut

open to find the great white whale

singing.



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The Art of Being Politically Correct 


 

Throw out all the books you know.

Turn off the faucet dripping wisdom.

Kill off the cultural wildlife.

Shun the mannequins of sameness.

There are no Eurocentric homosexuals,

no black waitoids, no nonmen differently abled.

We are as blank as thoughts must be,

pure as an undiscovered Edenic paradise.

All colors are none of any hue or shade,

the planet is made worshippable object

and we are also.

All the walls have been built again

with no mortar binding together

so that they may be seen individualistically.

Living beings are denied a name

so no living being may be truly known

even as they are perceived.

Give back to me what I knew

as true and good.

I am of life and what that is.

It will not be a dustless house

in which I live.

All vanity and chromosomal pride

will not succumb to this new story.

Sex and color and time

do not alter with the moment.

I only change my clothes,

I do not bury them.



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"New, Longer Hours"


 

As grains of sand,

as cells of dead shed skin,

all time is fixed, immutable

as the migration of whales.

There is "nothing new under the sun",

no distance of measure different.

Consider the possibilities:

All clocks made useless,

calendars and datelines irrelevant.

Would we really need anything

but the internal organs requiring

sustenance and expulsion?

Wouldn't it be wonderful!

50 billion individual schedules,

50 billion roads never having to intersect,

but only cautious of collision.

The reality is blood on a knife:

one man's minute is another man's eternity.

I want no time transmuted.

I will hold the hour of copulation,

the minute of death,

the flickering second of recognition,

and chew them in monotonous rhythm.




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The Bystander 


 

Only watching, he is full of avoidance and delay.

How do the hours and minutes tick?

Asleep in his bed, he passively dreams,

awakes afraid of what he must face.

A day full of wolves,

a funereal night he covers himself with.

All the people, all the activity,

are potholes he must drive around.

His job is a carnival ride

taunted to take,

the only relief is leaving it.

He is fearful of touch, of talking,

only does so to run from death.

He wants the perfection of his body,

the perfection of his family,

the perfection of death if all

his dreams are dust.
 

Sick of watching, he walks out the door

to go where waters run without effort,

where weather only is, and takes shelter

in all it has. The rain is his rain,

the breeze is his breeze,

and the warmth of the sun is also his.

He realizes he can watch no longer,

must immerse himself in the flood of others,

and becomes an ocean where all the great creatures

pass through him.

The bystander is become a swimmer

in all the currents flowing,

not afraid to drown.



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I Heard Bukowski Died Today 


 

I was awake,

went to work,

parked my life outside

like a wheezing carburetor.

All the 5-day-a-week people

were lobsters in a tank;

I was managing the fish department.

The smell got to me, finally.

I washed my hands,

and grabbed the newspaper.

Like a porno movie at 4 a.m.,

an unexpected erection,

I saw the name "Bukowski",

the word "poet",

and felt myself

another beer can

rolling around the floor

of someone's car,

not knowing the driver

or the destination.

I continued to live that day,

put sunglasses on my soul,

wrapped up my thoughts

like leftover fish

and old cigar butts,

went home and fell asleep.

The toothbrush falls away,

the clothes fall away,

the clock ticks only in dreams,

and tomorrow I'll be awake again.

The beer cans in the car

never stop rolling.



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I Want to Write Like Pablo Neruda 


 

On the beach of sanguinity,

Pablo Neruda drinks the blood of nuns,

becomes a sky of azure clouds,

with rosaries falling from an ochre sun,

penetrating his thoughts like a harpoon

cast into the shark's eye

by the weary fisherman

who wants the sun to be a woman,

luscious fruit of Pacific shores.

Pablo Neruda sifts mournful sand

through the fingers of his hands

like so many tired bulls,

and he is tired.

Tired of the mountains,

tired of the jungles,

tired of Tierra del Fuego,

tired and offering prayers

to a god who is only found

in marketplaces far from Santiago

where gray dogs bark at dust,

where gray women do not smile at tourists,

where gray houses have no color.

The small village priests are revolutionary moths,

fanning the flames of Anaconda insurrections,

fanning the flames of sin,

fanning the flames of Pablo Neruda's guilt.

The rainbow, barely seen,

is Pablo Neruda's oldest pair of sandals,

wearing down the decrepitude of the Andes

where soulless birds are a cathedral dirge

of unremembered penitents.

Pablo Neruda sees all the infants as hungry worms,

wriggling their rebellion toward the moon.

But the moon is an empty plate,

the infants starve,

die a condor's death,

its wings - their arms -

a panoply of tears

on the beach of no horizon

where the nuns

are once again tears of Catholicism,

where the ochre sun

retreats to a night of peasant's curses,

and in Santiago,

the guards before the presidential palace

watch Pablo Neruda walk,

his sullen pencil

bayoneting their fascist desires,

his teeth flashing in their tortured dreams.



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I Did It 


 

It wasn't him, it was me.

I went to war, came back

gung-ho frenzied and

crewcut stoic.

I killed the enemy in the desert

and became my own.

I turned hard right,

veered off the pavement

and lost my license plate.

Somewhere,

away from the coasts

where the truth of body counts

is a buzzing fly

you can't swat away,

I stowed my bombs and my hatred,

then bestowed these gifts

on faceless children,

on unknown wives and husbands.

(When your family and your friends

are only ciphers in your conspiracy,

it's not hard to kill people you've never met.)

The family is a shattered crystal,

the children are a thousand specks of light

caught in the glance of the sun,

I am the shattering hand that holds them.

I can't be caught,

I can't be brought to trial,

I'll never be convicted.

I cheat on my taxes,

vote down school budgets,

eviscerate the editors.

It's me, not him at all,

it's me, and I knew it all along.



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The Verdict 


 

No matter what the jury says,

someone is always guilty.

The racist in me says all blacks are guilty,

the liberal in me says police are pigs.

In television's three-ring seriousness,

everyone maintains their innocence

while they secretly cash

in their collusive guilt.

We all cheat and batter each other,

it doesn't matter

if you put a suit and tie

on a murderer,

no one will ever really know.

We all bury the truth

by planting evidence;

we stay safe from

being murdered that way

and continue

to kill with neandrathalic suavity.

We wring the tree dry of details,

ignore the root of cause,

and excuse the woodsman and his axe,

cursory tears rake up the fallen leaves.



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The Beginning 


 

They found them first in Minnesota.

Like honest politicians, something was missing.

Some thought it was the water,

the air,

maybe something they ate.

Frogs without legs,

without eyes,

without normalcy.

This was the first sign,

then again, maybe it wasn't.

Maybe it was the Challenger explosion,

maybe it was Charlie Manson,

maybe it was the Garden of Eden.
 

They thought and postulated,

had a cup of coffee,

turned the page

and put down the magazine.

This is how it started.



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Time, the Hero


 

In the frenzy of clocks,

like the antlered deer

at dusk sniffing

for snow-covered apples,

there is a calmness of ticking

that marks the seasons,

that gathers the days

into collectives of crowded minutes.

The holidays and demonic elections

are weeds in the garden of time,

and time itself becomes

guardian of life,

sentinel of our souls.



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Failure, Death and Necessity 


A child with dirty hands,

narcissistic grunge,

and a paycheck.

Indecision of clouds

is a heavyweight,

choking the ropes.

The clock ticks bloodletting

like the gleeful surgeon,

the cardiac rivers gurgle and spit.

Pompous media drivel passes on the right,

speeds toward the exit ramp,

collapses on the corner.

Everyone's mother is dying,

questioning children

about their jewelry,

about the weather.

You know you went to school,

you know when death first knew you,

you know and knowledge doesn't satisfy

your hunger.

Nights wrap themselves around your days,

and all your imagined comforts

are stray dogs that won't come near you.

You knock down the hornets' nests,

paint and plaster,

see the doctor,

and pay the bills.

When the neighbors pull up their gardens

and the sunset is more southerly,

the clarity of dawn is more apparent.

A fully turning circle turns more fully now,

the slow walking of warm weather quickens

in the ripening of apples,

all the family ties itself together

like cornstalks in autumn fields.

The equinox takes stock,

calculates the dividend of seasons,

and pays handsomely to each deserving day.



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Away 


 

How do I measure distance?

I drift in an ocean

of people and things.

They swim, float and sink

and the waves hide time.

If they take away my face,

will anyone know me?

If my arms and legs vanish,

am I just furniture waiting on some curbside?

Everything, everyone I hold close

is dust on the mantle,

the only currency I hold is memory.

Every sound higher than moonlit geese,

becomes fainter, erasing faith in what I see.

Death deals the cards,

I see death crossing the corner.

I want to eat the hand of death

so it will not grab any more.

I want to swallow stars, galaxies,

constellations and become a universe

that knows no distance.

I want to bury all the clocks,

destroy all vestiges of time,

so no one will know of any passages.

I will make a stillness of life

and in that stillness, life will be,

and be.



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Squirrels, Sailing, and Five Notes



I have no idea of how the mind

works, of how to sail, or why

squirrels leap from branch to branch.

But I do know how to peel a banana

and enjoy an Oreo cookie.

It's these little things that suck up

our attention and make us saints.

If our brains are little forests

and all the thoughts are squirrels,

it is no small wonder our talking

is rain on parched ground.

A wind dies beneath a sobering sun

and we cannot sail until the moon

rises like an old man from an easy chair.

Can we force a wind from thought,

or pray for such? Still, the boat

drifts thoughtlessly on our whispering.

Above all this commotion and conundrum

is the chaotic piano, heaving sounds

at anyone too close to hear. Five notes

slap my face and I burn a melody at the wall.

There it dribbles down, collects itself

into song, only to attack another

unsuspecting fool. Every note takes aim,

seeking rearrangement and now

we know how the mind works.



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Veterans


War has its children, its orphans;
all of us have bleeding wounds.
Each of us has their own Vietnam,
the secluded teenage bedroom,
the deluded marriage bed,
the half-room where we wait for death
and don't know the nurse's name.
Not just the brave men,
the men of duty, honor and sacrifice,
the children and the women
have hard won their ribbons.
Most of us know no foxholes,
no falling bombs, comrades shot dead
before us.
One day each year, we honor the fallen
and the forgotten.
Who remembers the nameless?
Who will build a wall for us?
I will cry for the children, murdered playing.
I will weep for the women beaten and driven out.
I will mourn for all the nonwhite veterans
eating injustice.
I am a veteran, too.
I have been shot with falsehoods full of salt,
tasted the twisted sea shuffling
poison on its uncaring shore.
We will honor all the veterans,
the abandoned, the abducted,
the amputee who has no voice to cry.
I have died every time you have died,
and I am buried with you.


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You Know It's Love


If the air's on fire

when you speak her name,

if her smile shames rainbows,

if together you are unstoppable,

you know it's love.

When your eyes first meet

and all the glaciers melt,

you know it's love.

It's love when you throw away

your self-concerns,

when the world disappears

and becomes only the two of you,

when Eden is rediscovered.

If he gives up football Sundays

for country walks,

if she gives up miniseries

for the affection he cannot ask for,

you know it's love.

It's love when wrinkles

and signs of atrophy

are not way stations,

but are seen as beauty

graceful as turning leaves.

When the telegrams of death

no longer can be ignored,</